— THE SUNDAY NICHT
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What can | do to keep my life from going by so fast?
“| met some guys on the moon who said that death isn't real
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Join the Unkillables. Get the cigarette that made Never Ever Dying famous...and the taste that makes Sunday smokers so loyal.
Mr uit . : a eat ee It’s not a cigarette so it’s okay! ine} ¢
ye T Splines? ‘ gives you | gives you clean; smooth_—_ And it makes you live forever!
| DUALFILTER
THE SUNDAY NIGHT BLACK & WHITE ISSUE EIGHT THE SUNDAY NIGHT BLACK & WHITE ISSUE EIGHT
CONTENTS
Buckon105 Daniel Stevenson 5 Jose Tessla Stuckey T3 Guess or I'll Devour You Blaise Moritz 21 Beautiful People Anjalee Nadarajan 27 Scarlets Benjamin Minniear
33 Book Reviews DFW-ll-Macbook-Air
URF=BOMB
A LITTLE LESS STUPID THAN KILLING EACH OTHER
WITH BOMBS
SUBMISSIONS AND PICTURES OF YOUR DAD TO:
3 & COS ’ SUNDAYNIGHTBOMBERS@GMAIL. COM
IARETT Ee
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BUCK ON 145
OANTEL STEWENSON
DANIEL STEVENSON
LJ
BUCK ON 145 DANIEL STEVENSON
Veering gravel pull-off on the way home
in a dutiful moment
flooded halogen traffic steering wide of a
object gutted highway by the quarry
by the fruit and jam stand that closes in the winter where the speed limit drops
I direct traffic as a man drags the buck by his antlers not so majestic splayed stacked thighs
Bright neon blood lane markers
to the far side of the road guardrail he tells me standing tall in tattered taped coveralls
he’s already called the law
Two small girls
hooded zipped cotton sweatshirts walk over scowling asking
why we don’t have a gun I'll get on the phone with my daddy he’ll know the best way to put it out with
a knife what kind of men are you anyhow
The buck jolts nearly gets his legs under him
matted white hair
the called-the-law man leaning against the guardrail tightens his grip
I bristle inch closer
and bite my tongue at the girls
BUCK ON 1@5
COMMON DEER.
= t (j Ge
DANIEL STEVENSON
BUCK ON 185 DANIEL STEVENSON
The line of impatient cars looming suburbans
with Florida plates
stickers with abbreviated towns a man hands in jacket jogs up the girls ask if he has a gun breathless
he says yes and draws
The law man tells me to stop cars
a hundred yards back or so
I’m hustling uphill hand outstretched
at silhouetted drivers I glance back
hear a shot
and he’s immediately sprinting back to his vehicle
Police car pulls up
lights lean against nude trees
down into the gully
blank unflinchingly frozen
the officer is not
overly concerned
he tells the law man he can have the meat and the rack for all he cares
I walk to my car and start up the highway home
wondering what good I’ve done
anyhow
TESSLA STUCKEY
ey ane
TESSLA STUCKEY
=
JOSE
TESSLA STUCKEY
=
JOSE
TESSLA STUCKEY
WORKIN’ NINE TO FIVE FOR SERVICE AND DEVOTION WANT TO MOVE AHEAD BUT THE BOSS WON’T SEEM TO LET ME
Sat PCAN Sat CB Sal i es Me St See Se Boe
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"S.F. HESS & COS, CREOLE CIGARETTES.
GUESS OR I’*LL DEVOUR YOU
13
GUESS OR P’'LL DEVYOUR YOU
BLAISE MORITZ
LI
GUESS OR I’*LL DEVOUR YOU BLAISE MORITZ
Guess or I'll Devour You
31
A clear wind
like a wheel
powers the effortless unison of out engine
ian war)
ey Sf * joer? e >a O AIT eH & OFA f i 1 : lt le:
“~ until paranoia conjures mouths that grow stones bite us like questions
14
GUESS OR I’*LL DEVOUR YOU BLAISE MORITZ GUESS OR I’*’LL DEVOUR YOU BLAISE MORITZ
In advertisements gage SNS Z ee Turned to gasoline always mid orgasm. GRR Soha _ our saltva runs loose
Cy SRN and full of sparks Don't trust those - - S¢@iaeas SAA in trenches whose speech 1s sex | 2" aN blood vessels warmed with coffee et WOk\\ of our machine
Stumbling they will return and the garden exists no longer
Possessions closely watched but nudging away imperceptibly the movement of the continents
15 16
GUESS OR I’*LL DEVOUR YOU BLAISE MORITZ
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A SLO@AU £AGIGUC. & DULY 4 O1GYO. OX VaUMm WSs VA ULI & LL YUL. Uv &SUVLLBUO. uU sungue, Or ny
Bone. 7 Right Vocal Cord alse Vocal Cord, above; both attached to Thyroid Cartilage in frg tenoid Cartilage behind. 8 Fold, exten from the border of FA 0. front to the right Arytenoid Cart behind; back of Zig the Transverse Muscle that runs f1 the right to th EEF Windpipe. 11 Esophagus. © Plac Constriction. St Oh» The eo Jates, one on each side; each
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A. world composed tasks and members hum of technique
but not its presence
A\ landscape where hands are smoking for innocent pleasure
GUESS OR I’*LL DEVOUR YOU
When Oedipus is shent
what does the Sphinx reply
BLAISE MORITZ
18
GUESS OR I’*LL DEVOUR YOU
both of these can be affected by pMysical cusses crystal Zin, h as te , Spee crystal’s origin, such as tem
of the envit nment. The drawing above shows DB o -
identical form.
\ \
BLAISE MORITZ
= d of growth and character the different habits in crystals of
“To work then! While ~ you have four legs, I will pay you nothing. While you have two
T / legs, I will pay
Ih /
// you in horse
> shoes. While you have gy three legs, I will -poeeemand of you your
13
third leg."
GUESS OR I’*LL DEVOUR YOU
"In the end, I will have you cubed. These cubes, they will say, were the body."
BLAISE MORITZ
In memory of Ludwig Zeller
Italicized lines are from his poem "Guess or I'll Devour You"
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BEAUTIFUL PEOPLE ANJALEE NADARAJAN
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ANJALEE NADARAJAN
cl
BEAUTIFUL PEOPLE ANJALEE NADARAJAN
Indeed we want you, and we will find you. Don’t try to stray outside
for we'll bind you
to screens so stuporous.
Play your songs, Your faves. Lulled. Embrace it. Or we'll hide your bongs.
You placated people, you stultified people. You stand mesmerized on your personal steeple.
Your page, cultivate it, for their views. Eyeballs now. Viralize. Yes. You’re your muse.
Only time to, like, masturbate.
Jerk all your feelings off in your plastic maid.
Yes, you, whom do you see?
Someone beautiful and someone free? Yes, you, are you trying to be me?
So learn from me, friend, it’s fun
to be me.
ee
BEAUTIFUL PEOPLE ANJALEE NADARAJAN BEAUTIFUL PEOPLE ANJALEE NADARAJAN
Ignore your gnawing, vomitous soul,
as popularity takes its toll.
You numerate people, you rigorous people. It’s all numbers. (numb me.)
Climb your personal steeple.
The internet feeds and makes you this way. So buy my guide
to life to take you away.
Only time to, like, masturbate.
Jerk all your feelings off in your plastic maid.
You pacified people, you petrified people. You mesmerized people, you stultified people. You fossilized people, you ossified people.
You neurotic people, you necrotic people. Loge ae eee v so
Yes, you, whom do you see?
Someone beautiful and someone free? Yes, you, are you trying to be me?
So learn from me, friend, it’s fun
to be me
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23 24
THE SUNDAY NIGHT BLACK & WHITE OF TASTES LIKE A PINECONE WRAPPED IN PAPIER-MACHE AND FRUIT JAMS
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SCARLETS BENJAMIN MINNIEAR SCARLETS BENJAMIN MINNIEAR
SCARLETS
BENJANIN MINNTEAR
er 28
SCARLETS BENJAMIN MINNIEAR SCARLETS BENJAMIN MINNIEAR
eg 36
BENJAMIN MINNIEAR
SCARLETS
BENJAMIN MINNIEAR
SCARLETS
32
31
BOOK REVIEWS DFW-II-MACBOOK-AIR BOOK REVIEWS DFW-II-MACBOOK-AIR
Baudrillard - Cool Memories
What is hanging over us now is not just death, but the way we use that death to make a point, to make a point on the world,” she told the House in 2010, “because when we get so used to killing each other that we turn
things around and make the other person a symbol of death.”
However, his speech wasn’t perfect.
BOOK
All systems fail eventually, and the greater melancholy
REVIEWS of a single death can bring people to their knees. UFW-II-NACKBOOR-ALR
But, obviously, i’m joking. These things are not of the real world. Instead, we can assemble them into a kind of imaginary model, where the structure bends based on our individual needs and desires.
We talk of sex when we talk of death. We talk of sex when we talk of the future.
BOOK REWIEWS WRITTEN BY INTELLIGENT
SUPER COMPUTER AL OFW-LI-NACBOOK-AIR
I refuse to believe this is everything.
At the end of the world, will we be looking at each other or our enemies? Our own family or our own nation? At the end of the world, will we be looking at the people we have created in our own image?
The seductive promise of the apocalypse has always been kissing my lips.
33 34
BOOK REVIEWS DFW-II-MACBOOK-AIR BOOK REVIEWS DFW-II-MACBOOK-AIR
Eugene Thacker - Infinite Resignation
In his autobiographical zigzag:
I’m going to take an interest in his works and I can’t talk about it without explaining what I’ve been doing. I don’t get any pleasure in doing so. I have a lot of ideas about what I’ve been doing in my life. My ideas are not mine. I don’t want to write all my pieces. I’m just interested in what I’ve been doing. I think the most important thing is that it’s not just me, I’m the only one who is interested in the work that I’m doing.
Being self-aware, there are many ways for you to take the subject matter seriously. The idea of self-pity can have some kind of magical power when it comes to what I’m doing. I believe in myself as the person who is doing the writing and the other part of the job, so what’s happening to you is a bit weird.
This is very much a work of fiction. I’m not going to describe him as a writer.
The bold 9/11 conspiracy theories have not been revealed. I’m going to use this.
Now here’s the punchline: You might want to read the book.
There is nothing I can do.
35 36
Hey, just what the heck is this Marxism stuff anyway? Was it designed by some guy trom Echo Parke
Every line of it is contusing. How does commoditication have anything to do with putting a spoiler on my care My car could use some body work.
One guy says Marxism’s “actually pretty good it you read a little bit of theory.”
Marxism.
Another put it ditterently. “It’s funny,” he said, “how Marx grows on you. At first you think he’s the homeliest weird thing you ever saw. But pretty soon you come to hollering about taking the world for the petit bourgeois.”
Marxism defies obsolescence. You can hardly tell the doughty shape of a 1950's Marxist from a 1980's Marxist. To
altering it is heresy.
(Would you change the pertect form of an egg?”
But Marxism makes little changes all the time you cannot see, because nobody understands what Marxism is. Example: new synchromesh first gear in your Volkswagen Beetle; you shitt into low without stopping; Marxism did that, maybe a Marxist, nobody really m™, knows, go read
S\ctim™ some theory. Is suggest “ea Marxism homely?
It depends.
I'm dying and all | hear are insults!
art direction and layout by Ryan Joseph Little and Marc LeSage cover quotes from Charles M. Schultz and Peanuts sundaynightbombers.com
Good grief